Blue Valentine

Blue ValentineBlue Valentine is an intimate, shattering portrait of a disintegrating marriage.

On the far side of a once-passionate romance, Cindy (Michelle Williams) and Dean (Ryan Gosling) are married with a young daughter. Hoping to save their marriage, they steal away to a theme hotel. We then encounter them years earlier, when they met and fell in love—full of life and hope.

Moving fluidly between these two time periods, Blue Valentine unfolds like a cinematic duet whose refrain asks, where did their love go? Framing the film as a mystery whose answer lies scattered in time (and in character), filmmaker Derek Cianfrance constructs an elegant set of dualities: past and present, youth and adulthood, vitality and entropy. The rigor of his process is visible throughout the film. Eliminating artificial devices, he has only the truth of the characters to work with. Because Gosling and Williams bring amazing intensity and emotional honesty to their roles, the experience of connecting to these two souls becomes truly moving.

By Tierney Bricker The MPAA has overturned the NC-17 they slapped on "Blue Valentine," which will now receive an R rating, according to The Hollywood ...

Last night's premiere of her new film Blue Valentine (costarring the delicious Ryan Gosling) was no exception. Williams looked absolutely luminous with ...

Sports Illustrated swimsuit model Irina Shayk may not be an actress in the upcoming movie Blue Valentine, but her skin-tight red dress stole the show at the ...

Photos from the after party for the New York premiere of Blue Valentine hosted by Quintessentially at Boom Boom Room on December 7, 2010 in New York City. ...

'Blue Valentine' has been downgraded -- or upgraded depending on how you look at it -- from an NC-17 rating to R. According to Deadline, producer.
Harvey Weinstein vows to take on the movie ratings board over its saddling "Blue Valentine" with a NC-17 rating.
Yesterday WENN reported that Ryan Gosling accused the Motion Picture Association of America (MPAA) of rampant sexism when it comes to assigning film.


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